Monday, February 16, 2026

The Girl I Was, The Woman I Became

In the last couple of years I have unselfconsciously be turning out what I think of as life-summary quilts. One is called I have Measured out my Life, another My Milagros.

So I wanted to share with you The Girl I Was, The Woman I Became. This quilt wins no compositional prizes, but it is full of feeling & heart. And I believe these are the main threads of my life, then & now.


Now for the eight windows.

Part 1. My best teachers.


Part 2. I fall in love with cloth

Part 3. I love music

Part 4. I like to make things

Part 5. I dance

Part 6. I am given a camera

Part 7. I read

Part 8. My family [first & next]

If you happened to notice & wonder about the discrepancy between the layout & the numbering system I have no answer for that! And maybe you didn't, no matter.

That's it for now.



















Friday, February 13, 2026

Down-Dilly Progression

 I don't know how such a strong yellow got chosen, but it is the color of a favorite dress I wore at the age of 6 maybe. That was back when I felt the nursery rhyme "Daffy-down-dilly went to town in a yellow petticoat & a green gown," was a secret cousin to me. I loved yellow & daffodills. In those days was called Daffy by everyone. And sometimes Daff, & then finally by my best math teacher, Miss Louisa Alger, Daph. I loved her for that. It somehow was a dignifying of me as a growing-up person at age 11. 

Other things I have been drawn to is what I call softened rectangles. They feature in the progression.

And the last seed for the work in progress was a collage-making workshop put on by my friend Sabina. In it I found myself cutting soft rectangles in paper & creating windows for what was underneath to show through.

My beginning... the windows & the distorted rectangles!


Rearrangement  of larger shapes happened & infilling...

Elaboration begins...

& more...  I was test-pinning patch in on top before committing...


Winding down & closing in... when to stop....?
...widen margins for framing...

Commitment! 
The quilting began with my trusty Bernina 1080. I love echo quilting to enhance the shapes. Quilting is a stage where I really have to let things flow. Only occasionally to I rip out quilting stitches because they don't "work".

And now that I have come nearly to the end I have a name for the new piece, Down-Dilly Windows.
And another session quilting with darker thread in three of the larger tan & brown shapes...

I love how this kind of photo really shows what effect quilting has on the texture!
That's it for now.
















Sunday, January 18, 2026

Other Parades in my House (whimsy part 2)

 

I guess most people collect something & I collect lots of somethings! I've just gone through a stage of getting rid of stuff that really had become clutter in my life. A variety of my collections got reassigned to other homes.

But after the pitcher parade event one quiet Sunday, I decided that part of another Sunday could be given over to the captures I did of Other Parades in my House.

One of the most prominent collections is my eggbeaters. The collection began with 3 charming ones found in a junk store years ago & then grew bit by bit. I have promised myself that I have just bought my final eggbeater. 

Also in the kitchen & not quite a parade, but more a group of parade watchers, are the condiment collection.
Wall plates make a vertical parade.
On my bureau I have the bears & the crows.
 
On a wall in my workroom is a parade of New Yorker covers by Sol Steinberg, one of my favorite artists.

Also birds there on a high shelf.
Then there are birds in my bathroom.
Scissors in need of a parade marshall.
Thread spools in marching band formation.
Plants on the windowsill.

And lastly, Bonnie, Sam & Isabella, the wonderful doll grandbabies  Joslyn, Erica & Lesley presented me on May 14 2000. They were calling attention to my wishful, not yet fulfilled grandmother status. This trio is a sweet reminder & a very funny gift that still gives.
I think they are a bit young to be in the parade, so they are spectators.


That's it for now.







Sunday, November 9, 2025

Pitcher Parade

It started in the bathroom.

I had bought some delicious musicians in Oaxaca in 2005 & George had an armadillo that he had gotten in Mexico before we met.

The musicians got situated on a parquet backgammon board I found in Maine. I came to think of that zone as my "doll house". The characters were added to (mostly from my bird collection) & moved around to create simple scenarios.



Parades kept on happening. The marching band helped!

One of the standard ones was the armadillo, the odd pitcher from (I thought) Iran (wrong) & the hand lotion pumper.


Well one thing led to another & finally it occurred to me that a pitcher parade on a grander scale was wanting to happen. So Sunday afternoon the parade was assembled! More or less in size order.


I love it that the Snow Goose by the Inuit artist Elisapee Ishululaq is also headed in the right direction & watching over the whole event!

Members of the parade introduced. 

I've rarely seen this kind of silver work around glass. There was a bowl to match, but it broke. It came from my grandmother Garrison's home.


The covered pitcher was in my childhood home. We put maple syrup in it.
 
I found this small pitcher in a ceramics-do-it-yourself business. I painted & stamped the threes, sixes, & nines onto the surface & it was fired in a kiln. All this in honor of Joslyn's 30th & my 60th birth year.
She got a much larger pitcher than this one.

The Himalayan yak butter tea server was purchased by George in 1958  when he went around the world in celebration of his graduation from the Naval Academy. I polished it. I didn't know it was brass & copper.

When I was growing up my mother would occasionally put on a "high tea"on early winter evenings. She made us hard boiled eggs, toast with cinnamon sugar & butter, & tea with cream. On the tea tray was a now-long-gone silver teapot with an ebony handle, a hot water pot (to dilute too-strong tea), a strainer, & creamer & sugar vessels. All very elegant & much loved. I have the water pot, now used as a  vase.

The crystal water pitcher comes from George's parents.

The copper & brass pitcher my mother bought on our way to Vermont for a Harvest Festival gathering in Putney. She bought it from a craftsman on the way there. I have always associated it with her red hair & the colors she wore. Its grace also reminds me of her.


The silver water pitcher was a wedding gift to my grandmother Harwood in 1901. The monogram on it ABR for Annie Bowland Reed is on the bow-belly of the pitcher (bow as in the front of a boat).

Nancy Walker, a US/Canadian ceramicist, made this pitcher that I use as a vase.

The decanter was purchased by George's parents in the 1950s when George's father was posted in the US foreign service in Johannesburg.

The art deco porcelain pitcher I found in an antique store in Vancouver. It developed a serious crack, so I had it mended by a Japanese craftsperson skilled in kintsugi.

The didn't-make-the-cut collection (not in the parade).... 
 
  

That was fun to do!  That's it for now.